Cut-up Canvas I.2 graphite on paper The series merges the quality

The series merges the quality and feel of traditional fine art prints with the low tech graphics of mid-century media

This method is especially safe for large works and provides lower shipping costs as well

Kyong Lee's work strives to instill a sense of tranquility amid the overwhelming tumult of emotions

based in the Venetian tradition of “colore” (color as the basis of art) producing a Depiction of Atmosphere (the Unseen Air) as both subject and object

Cut-up Canvas I.2 graphite on paper The series merges the qualityPedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often reducing the composition to minimal, hard edged shapes on solid colored fields. The harmonies and tensions in the work arise from different relationships: those between the colors, the patterns, and the geometric and organic shapes.