Kairagi Small Plate IV url-kerry-seaton Hand carved in his studio

Hand carved in his studio in South Korea this tray is raised on four sculpted feet in Cherry wood and the surface is textured with the marks of the making process

The form size material and method of creating a hand-build piece guide the rhythm of its making

gold plated brass by Korean Jeweller Heeseung Koh

This delicate vessel is of dried and pressed lavender

Kairagi Small Plate IV url-kerry-seaton Hand carved in his studioA textured plate thrown by hand in Akiko's London studio, with layers of gentle crackle glaze. Each piece has a unique surface that illustrates the element of chance that is central to her processes. Made to be used. "Today, much of industrial production values consistency, precision and control. My work moves in the opposite direction, embracing variation as an essential part of making. I am currently researching why certain forms of fluctuation and