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I believe this is partly the result of my Scandinavian background and my current life in a big city like London
"When creating ceramic pieces I try to communicate my heritage my passion for material the alchemy behind firings and the connection between purpose and beauty
bearing the accumulated marks of its making
The fine traces left behind in the hand-building process resemble the brushstrokes of landscape painting
Lavender Glass Cylinder url-fumiko-nagano I believe this is partlyFor these glass vessels texture becomes the memory of process. They begin as drawings exploring emotion through mark making gesture and form. As the work transitions from drawing to clay moulds and then to glass a corrosion of the original occurs. The viewer is invited to touch to remember. To explore the surface landscape the glass recorded to gaze into and beyond the vessels walls absorb the colours and find the memory. Edmond Byrne on this piece
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