Tempo 1 Cristina Ghetti starting from one end and

starting from one end and gradually transitioning into a different color through horizontal color fields

“that narrative—the story of the painting’s own making—becomes the central subject

The differences in size result in a range of perceptual experiences that is integral to the work

perceived through pigment

Tempo 1 Cristina Ghetti starting from one end andThis fluid abstract work on paper is intuitively made with a loaded brush graphite. The intersecting multi layered forms create richly worked surfaces that refer neither to narrative or image but develop out of the discourse and physicality of the painting process. They are influenced by the edge and the grid of the two dimensional picture plane and evoke the liminal space between sensation and memory.