Cut-Up Paper 2006 Ulla Pedersen Note that the two 40x30

Note that the two 40x30 panels are permanently fastened together

dynamic paintings that revel in a harmonious balance between gestural brushwork

Bolt tries to create a dynamic tension between foreground and background

For this piece

Cut-Up Paper 2006 Ulla Pedersen Note that the two 40x30Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often reducing the composition to minimal, hard edged shapes on solid colored fields. The harmonies and tensions in the work arise from different relationships: those between the colors, the patterns, and the geometric and organic shapes.