Ed Ruscha: Zat So Yves Guignard the imagery in the exhibition

the imagery in the exhibition is encoded with personal significance

which traces the close creative and sometimes complicated personal relationship between the two artists

Eleven new texts by longtime Penone scholar and collaborator Daniela Lancioni investigate the organizing principles within the artist’s practice

An essay by exhibition curator Elisabetta Barisoni delves into the originality of Saville’s paintings and the depth of her engagement with art historical sources

Ed Ruscha: Zat So Yves Guignard the imagery in the exhibitionPublished by Crown Point Press, this two color hard ground etching by Ed Ruscha is one of a series produced in 2023 and depicts the two words that comprise its title. This short phrase is rendered in a style similar to that of the artists swiped word paintings, which likewise suggest that their verbal subjects are in rapid motion. As a group, the prints also begin to hint at a loose narrative involving movement or travel; in Zat So, the black serif