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Golden Gate Park (1967)
The central eye-like form becomes a compelling focal point
gestural black lines—appears in motion
The piece feels both whimsical and emotionally resonant
David James Reflections David Bowie basquiat Golden Gate Park (1967)The mirror reveals more than a face. In this extraordinary photograph by David James, David Bowie appears suspended between identity and performance while preparing for his role in The Man Who Fell to Earth. Captured during a quiet moment on set, the image transforms a simple act of applying makeup into a powerful meditation on transformation, self invention, and the fragile boundary between reality and character. Rather than documenting a film
