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Several of the work’s notations are autobiographical: the trio of figures on the right depicts the artist with the rap musician Rammellzee and the painter Toxic
The dog clutches poles and wires as lightning strikes
with a foreword by Sam Keller and an essay by Dieter Buchhart
and an entry from artist Agnes Pelton’s journal
Willem de Kooning: Mostly Women: Drawings and Paintings from the John and Kimiko Powers Collection Rosalind Krauss Several of the work’s notationsThis book was published on the occasion of Willem de Kooning: Mostly Women: Drawings and Paintings from the John and Kimiko Powers Collection at Gagosian, 980 Madison Avenue, New York. The exhibition featured thirty two works that were mostly expressionist portraits of womende Koonings most celebrated subjectacquired in the mid 1960s, when the collectors established a friendship with the artist. The selection included a 1951 study for a portrait of
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