#1357 Richard Caldicott Gordon is interested in the

Gordon is interested in the visual conversation between colours

Snell creates small production runs

Ashlynn Browning's recurring use of grids

layered paintings that speak in brutal harmony with the chaotic beauty of the out time

#1357 Richard Caldicott Gordon is interested in theBoecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that will evolve on the surface over time. He builds his paint up in a slow process, adding layers of color then partially removing them, allowing the echoes of erosion to remain visible in the final work. The gradual accumulation of pigment conveys a visual sense of depth, while also communicating a bittersweet emotional feeling that