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Each layer of paint is like a veil
This creates ethereal surfaces that appear luminous
reflective of nature itself
Material and illusion
#1742 Louise Blyton Each layer of paint isBoecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that will evolve on the surface over time. He builds his paint up in a slow process, adding layers of color then partially removing them, allowing the echoes of erosion to remain visible in the final work. The gradual accumulation of pigment conveys a visual sense of depth, while also communicating a bittersweet emotional feeling that
