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with all its possible negative connotations of pollution and consumerism
of the Panic movement
82 not numbered pages
an interview with Eduardo Molinari conducted by Nancy Garín and several titled essays
Fotografie, Vliegtuigen & Schapen absurdism with all its possible negativeIt is [a] clich, [the] artificial depiction of landscapes without people, automobiles, factories and housing developments that Wertman plays with and that she carries to an extreme. In her collages she combines, for example, depictions of landscapes, cityscapes and famous monuments within one composition. The way Wertman weaves visuals clichs together from various cultures is reminiscent of the biblical story of the tower of Babel. From this point of
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