![A Bird, Blast #130 | Naoya Hatakeyama | Roshin books 2025 [SIGNED] Nobuyuki Takahashi The volume exterior part and](https://cdn.shopify.com/s/files/1/0039/3258/6048/files/DSCN6043cover_Grande_337de454-2cc4-43b8-b814-34aeee7ecf21.jpg?v=1770325320)
![A Bird, Blast #130 | Naoya Hatakeyama | Roshin books 2025 [SIGNED] Nobuyuki Takahashi The volume exterior part and](https://cdn.shopify.com/s/files/1/0039/3258/6048/files/DSCN6043_Grande_2a6cb5f1-fa35-4c4e-bca7-bd7683fecb95.jpg?v=1770325319)
![A Bird, Blast #130 | Naoya Hatakeyama | Roshin books 2025 [SIGNED] Nobuyuki Takahashi The volume exterior part and](https://cdn.shopify.com/s/files/1/0039/3258/6048/files/DSCN6044_Grande_b9bf0cc1-f5a0-4c9a-80da-393c7b3f375a.jpg?v=1770325319)
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The volume exterior part and interiors has no significant damage
In the contrast of the lingering snow
Yamanishi built her own pinhole camera
These ribbons of water cut through the irradiated desolation as they silently flowed into the sea
A Bird, Blast #130 | Naoya Hatakeyama | Roshin books 2025 [SIGNED] Nobuyuki Takahashi The volume exterior part andThis book is the new edition of A BIRD BLAST #130, originally published by Taka Ishii Gallery in 2006. "The BLAST series, which captures the moment of blasting in a limestone quarry, was photographed remotely in hazardous sites inaccessible to humans. It stands as one of Naoya Hatakeyamas most celebrated bodies of work, acclaimed worldwide for its profound depiction of destruction and creation. Among the many blasts he photographed, one roll of
US$ 175.00
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US$ 58.00
