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he and Benjamin Nicholas have put together a programme showcasing his oeuvre – from a setting of the Evening Canticles
The actual music is so speculative as to remain puzzling: I was convinced by Stef Conner’s Delphic Paean
Coupled with his miniature cantata for tenor
"Wilkinson’s androgynous
Brindley Sherratt: Fear No More Gawain Glenton he and Benjamin Nicholas haveSUMMARY TRACK LISTING REVIEWS INFO Brindley Sherratts pre eminence as an operatic bass is the result of two daring career shifts. Initially trained as a trumpeter, he gave up his first instrument as a student to become a singer. Yet even then, it was only in his mid thirties that he left the professional security of a position in the BBC Singers to explore the world of opera. Now, the voyage of discovery continues as Sherratt turns to the intimate
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