The Conservation of Medieval Polychrome Wood Sculpture: History, Theory, Practice SPE25 director of Oxford University's Ashmolean

director of Oxford University's Ashmolean Museum

continued to develop over many years

and his polemical view of Futurism’s role in the development of modern art

Andrew Perchuk is deputy director of the Getty Research Institute

The Conservation of Medieval Polychrome Wood Sculpture: History, Theory, Practice SPE25 director of Oxford University's AshmoleanMichele D. Marincola and Lucretia Kargre Medieval polychrome wood sculptures are highly complex objects, bearers of histories that begin with their original carving and adornment and continue through long centuries of repainting, deterioration, restoration, and conservation. Abundantly illustrated, this book is the first in English to offer a comprehensive overview of the conservation of medieval painted wood sculptures for conservators, curators, and