Contrapunctus 14 für Orgel / Tasteninstrument, BWV 1080 (Score) series__Evangelienrezitationen zur Markus-Passion (Bach & Uehling) These sonatas were then re-edited

These sonatas were then re-edited in 1995 by Terence Best

formal variety and sophisticated harmony

It belongs to a small group of compositions which were composed between Advent 1725 and mid-January 1726 and whose text were written by the same author

which were intended by this weary Court Composer at Mantua as an application portfolio for a new job

Contrapunctus 14 für Orgel / Tasteninstrument, BWV 1080 (Score) series__Evangelienrezitationen zur Markus-Passion (Bach & Uehling) These sonatas were then re-editedIn 1991 an astonishing discovery was published by Zoltn Gncz answering the question with fairly great certainty how Bach planned the appearance of the fourth subject, the main subject of the cycle: One of the striking features of Contrapunctus 14 is that in this movement Bach applied the stretto of whole expositions. In the exposition of the first three subjects he programmed the later permutational stretti, then applied the expositions as programs,