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as a “Vision” of Jeanne d’Arc
for the most part homophonic choral passages more easily performable than the Vespers for today's choirs
Today Monteverdi's Selva morale et spirituale (1641) stands entirely in the shadow of his famous Vespers 1610
Bach was evidently aware of the effect that the ending of this lively movement would have and wanted to retain this in its sacred form as well
Wir wollen euch aber, liebe Brüder Uwe Wolf as a “Vision” of Jeanne
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