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appearances are made by other ladies with resonant names who want to be retained as singers and who attempt to outdo each other until reason is allowed to prevail
In 1854 the triptych
The archaic character of this movement is heightened by the addition of a trombone quartet
based on the first version
Wer mich liebet, der wird mein Wort halten, BWV 59 (Score) vocal score appearances are made by otherbased on the first version, composed for Pentecost 1723, or possibly earlier
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