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Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 (Score) series__Opere per organo (Pineschi) ” had its celebrated first

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” had its celebrated first performance

contemporaneously the Missa employed the already obsolete genre of parody mass based on themes from a motet by Nicolas Gombert

the Magnificat of this Bach son was first performed in Leipzig during his father's lifetime and later revised in Hamburg with expanded scoring

Of Josef Rheinberger's eighteen masses

Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 (Score) series__Opere per organo (Pineschi) ” had its celebrated firstCantata for the 9th Sunday after Trinity

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