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Elijah is regarded as a milestone in Mendelssohn’s compositional output and as a high point in the oratorio literature of the 19th century
drawing its higher meaning from Charpentier’s musical-theological interpretation of the Latin hymn of praise that it is based on
The present edition gives a reading which interprets the surviving original material afresh
Trio C-dur (nach BWV 1014/3) (online)
Freunde, Töne, Götterfunken（ヴォーカル・スコア） 重唱 Elijah is regarded as a
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